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After Effects and Premiere Pro are two of Adobe's flagship post-production apps. But which one do you need for which task? Let's find out.
Adobe has done a solid job at getting rid of any serious competition surrounding its Premiere Pro suite. Even on macOS, Adobe Premiere Pro is still selected as the best set of tools for. If you are wondering how to get Adobe Premiere Pro for free, I advise you to consider using this free alternative. Nuke is a professional video editor of the highest class, which was used to create such.
Check out our best Premiere downloads: https://motionarray.com/browse?dateadded=last-year&sortby=kick-ass&categories=premiere-pro-templates,premiere-pro-pr. Adobe Premiere is a video editing software package suitable for both amateur enthusiasts and professionals. It can be purchased and used alone, or alongside other applications such as Adobe Photoshop, After Effects, etc. This page provides a very general overview of Premiere. What is Adobe Premiere Pro? Premiere Pro is used to edit and cut video tracks, and then export them in the desired format. The project panel allows you to grab individual clips and add them to a.
When you're creating a new project, knowing when to use Premiere and when to use After Effects can make or break your project. They are both extremely powerful programs, that can sometimes perform the same functions, but most of the time, one of them is better at something than the other.
Now the differences between these two programs are pretty apparent to anyone who has used them before. But, if you're new to the suite, it can be confusing determining which one you need to learn for a given post-production task.
Let's take a look at Adobe's two main video production software tools and see what they do — and when to use one over the other.
Adobe Premiere Pro
Adobe Premiere Pro is an NLE (nonlinear editor) with the main function of editing video clips together in a sequence. This is the program that most beginners open to create a simple video with multiple clips and music. It's incredibly scalable — easy to use for beginners, and still powerful enough for a master editor. It's got just about everything you need to complete a professional video: a clip editor, color correction tools, audio programs, and even graphics software.
Tasks for Premiere:
- Editing a video with existing clips imported from a camera.
- Editing audio within your video — Premiere's audio functions far surpass AE's.
- Placing transitions between clips within your timeline.
- Creating/polishing any type of video — short films, music videos, social videos, etc.
Adobe After Effects
Adobe After Effects is a digital motion graphics platform used to create either simple animations or intricate graphics sequences. If you ever hear of a 'motion graphics expert,' chances are they're proficient in After Effects. The program adds motion to layers and assets that you couldn't do in Premiere. Its motion tools are much better than Premiere's, and it's the preferred tool for adding motion to videos, images, and designs. It's a 'hard to learn, easy to master' type of program, but once you get the hang of it, it's essential for creating motion graphics or visual effects for your projects.
Tasks for After Effects:
- Creating motion graphics packages for your projects.
- Adding motion blur and movement to assets and layers.
- Manipulating multilayer sequences that require detailed keyframing.
- Creating title sequences that include keyframe-based animations.
After Effects Vs. Premiere Pro: What's the Difference?
To sum it all up, Premiere assembles all of your assets and creates a final video product, while After Effects is mainly an asset-generation tool. People complete projects in After Effects all the time, though — it's great for creating motion-based social video with only a song bed underneath, or even creating a full animation.
So really, there's no true 'vs.' in this argument. It's kind of like debating PowerPoint and Word — you use them for different tasks, even though they share some similar functions. They are extremely well linked, though — and like many editors, I use them concurrently all of the time. Once you get familiar with both programs, you'll learn how to dynamically link After Effects compositions to your Premiere projects so you can access both assets at the same time. (For more information about dynamic linking, check out the video by Justin Odisho above.)
Looking for more on Premiere and After Effects? Check these out.
Adobe Premiere Pro is a timeline-based video editing software application. It is part of the Adobe Creative Cloud, which includes video editing, graphic design, and web development programs. Adobe Premiere Pro provides support for several file formats, making your post-production workflows compatible with the latest broadcast formats.
Premiere Pro Supported native video and audio formats
| Format | Details |
| HEVC (H.265) | H.265 8K UHD media with resolutions up to 8192×4320 in MXF |
| H.264 AVC | Various media that use H.264 encoding |
| DNxHR | DNxHR LB, DNxHR SQ, DNxHR TR, DNxHR HQ, and DNxHR HQX |
| OpenEXR | Files in .EXR, .MXR, and .SXR formats |
| 3GP, 3G2 (.3gp) | |
| Apple ProRes 64-bit | Import only on Windows |
| ASF | Netshow (Windows only) |
| AVI (.avi) | DV-AVI, Microsoft AVI Type 1 and Type 2 |
| DV (.dv) | Raw DV stream, a QuickTime format |
| DNxHD | Supported in native MXF and QuickTime wrappers |
| F4V (.f4v) | Import only |
| GIF (.gif) | Animated GIF |
| M1V | MPEG-1 Video File |
| M2T | Sony HDV |
| M2TS | Blu-ray BDAV MPEG-2 Transport Stream, AVCHD |
| M4V | MPEG-4 Video File |
| MOV | QuickTime Movie format Note: Windows requires QuickTime player |
| MP4 | QuickTime Movie, XDCAM EX |
| MPEG, MPE, MPG | MPEG-1, MPEG-2 |
| M2V | DVD-compliant MPEG-2 |
| MTS | AVCHD |
| MXF | Media eXchange Format Solid state drive external hard disk. MXF is a container format that supports:
Windows 11 bootable usb. Note: You can preview Native Canon XF files in the Media Browser, |
| Native MJPEGs | 1DC |
| VOB | |
| WMV | Windows Media, Windows only Note: Render Type-1 AVI clips before previewing from a DV device. |
Premiere Pro Supported native camera formats
Premiere Pro lets you work with a wide range of native media formats from the latest DSLR cameraswithout transcoding or file rewrapping.
Adobe Premiere Pro Buy
The media formats listed here are supported for directly importing and editing with Premiere Pro CC. The required codecs are built in to Premiere Pro CC, and supported on both Mac OS and Windows systems unless stated otherwise.
https://helpx.adobe.com/premiere-pro/using/supported-file-formats.html
| ARRI AMIRA camera | Premiere Pro provides built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import. |
| Canon XF, Canon RAW | You can work natively with Canon XF and Canon RAW footage, including footage from Canon Cinema EOS C300 and C500 cameras. Premiere Pro lets you import and edit QuickTime formats natively including Apple ProRes and MOV files that Canon 5D and 7D cameras capture. You can clip metadata without any transcoding, rewrapping, or logging and transferring required . |
| CinemaDNG | Premiere Pro lets you import and edit uncompressed CinemaDNG media from the following cameras:
When working with CinemaDNG media, you can access the Source Settings and edit the metadata parameters. CinemaDNG can be debayered on a supported GPU for extreme playback performance. |
| Panasonic AVC, P2 cameras | You can native import and edit media from the following cameras:
|
| Phantom Cine media | You can natively import and edit Phantom Cine media shot on Vision Research Phantom cameras. |
| RED support | Premiere Pro CC supports working natively with RED Digital Cinema (R3D) footage from the following cameras:
Note: RED format clips use the GPU (OpenCL and CUDA) for debayering for an improved and faster playback performance. |
| Sony cameras | You can import and and edit media from the following cameras directly, without rewrapping or transcoding:
You can browse the imported clips using the Media Browser and organize them using camera metadata. |
Premiere Pro Supported audio file formats
| Format | Details |
| AAC | |
| AC3 | Including 5.1 surround |
| AIFF, AIF | |
| ASND | Adobe Sound Document |
| AVI | Video for Windows |
| BWF | Broadcast WAVE format |
| M4A | MPEG-4 Audio |
| mp3 | mp3 Audio |
| MPEG, MPG | MPEG Movie |
| MOV | QuickTime; requires QuickTime player |
| MXF | Media eXchange Format MXF is a container format that supports:
|
| WMA | Windows Media Audio, Windows only |
| WAV | Windows Waveform |
Premiere Pro Supported still-image and still-image sequence file formats
Note: Premiere Pro supports 8bpc (4 bytes per pixel) and 16bpc (8 bytes per pixel) still-image files.
| Format | Details |
| AI, EPS | |
| BMP, DIB, RLE | |
| DPX | |
| EPS | |
| GIF | |
| ICO | Icon File (Windows only) |
| JPEG | JPE, JPG, JFIF |
| PICT | |
| PNG | |
| PSD | |
| PSQ | Adobe Premiere 6 Storyboard |
| PTL, PRTL | Adobe Premiere title |
| TGA, ICB, VDA, VST | |
| TIF |
Premiere Pro Supported closed captioning and subtitle file formats
| Format | Details |
| DFXP | Distribution Format Exchange Profile |
| MCC | MacCaption VANC |
| SCC | Scenarist Closed Caption File |
| STL | EBU N19 Subtitle File |
| XML | W3C/SMPTE/EBU Timed Text File |
Premiere Pro Supported video project file formats
| Format | Details |
| AAF | Advanced Authoring Format |
| AEP, AEPX | After Effects project |
| CSV, PBL, TXT, TAB | batch lists |
| EDL | CMX3600 EDLs |
| PLB | Adobe Premiere 6.x bin (Windows only) |
| PREL | Adobe Premiere Elements project (Windows only) |
| PRPROJ | Premiere Pro project |
| PSQ | Adobe Premiere 6.x storyboard (Windows only) |
| XML | FCP XML |
About file formats
Some filename extensions - such as MOV, AVI, MXF, and F4V - denote container file formats rather than denoting a specific audio, video, or image data format. Container files can contain data encoded using various compression and encoding schemes. Premiere Pro can import these container files, but the ability to import the data that they contain is dependent on the codecs (specifically, decoders) installed.
What Is Adobe Premiere Rush Used For
Adobe Premiere Pro is a timeline-based video editing software application. It is part of the Adobe Creative Cloud, which includes video editing, graphic design, and web development programs. Adobe Premiere Pro provides support for several file formats, making your post-production workflows compatible with the latest broadcast formats.
Premiere Pro Supported native video and audio formats
| Format | Details |
| HEVC (H.265) | H.265 8K UHD media with resolutions up to 8192×4320 in MXF |
| H.264 AVC | Various media that use H.264 encoding |
| DNxHR | DNxHR LB, DNxHR SQ, DNxHR TR, DNxHR HQ, and DNxHR HQX |
| OpenEXR | Files in .EXR, .MXR, and .SXR formats |
| 3GP, 3G2 (.3gp) | |
| Apple ProRes 64-bit | Import only on Windows |
| ASF | Netshow (Windows only) |
| AVI (.avi) | DV-AVI, Microsoft AVI Type 1 and Type 2 |
| DV (.dv) | Raw DV stream, a QuickTime format |
| DNxHD | Supported in native MXF and QuickTime wrappers |
| F4V (.f4v) | Import only |
| GIF (.gif) | Animated GIF |
| M1V | MPEG-1 Video File |
| M2T | Sony HDV |
| M2TS | Blu-ray BDAV MPEG-2 Transport Stream, AVCHD |
| M4V | MPEG-4 Video File |
| MOV | QuickTime Movie format Note: Windows requires QuickTime player |
| MP4 | QuickTime Movie, XDCAM EX |
| MPEG, MPE, MPG | MPEG-1, MPEG-2 |
| M2V | DVD-compliant MPEG-2 |
| MTS | AVCHD |
| MXF | Media eXchange Format Solid state drive external hard disk. MXF is a container format that supports:
Windows 11 bootable usb. Note: You can preview Native Canon XF files in the Media Browser, |
| Native MJPEGs | 1DC |
| VOB | |
| WMV | Windows Media, Windows only Note: Render Type-1 AVI clips before previewing from a DV device. |
Premiere Pro Supported native camera formats
Premiere Pro lets you work with a wide range of native media formats from the latest DSLR cameraswithout transcoding or file rewrapping.
Adobe Premiere Pro Buy
The media formats listed here are supported for directly importing and editing with Premiere Pro CC. The required codecs are built in to Premiere Pro CC, and supported on both Mac OS and Windows systems unless stated otherwise.
https://helpx.adobe.com/premiere-pro/using/supported-file-formats.html
| ARRI AMIRA camera | Premiere Pro provides built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import. |
| Canon XF, Canon RAW | You can work natively with Canon XF and Canon RAW footage, including footage from Canon Cinema EOS C300 and C500 cameras. Premiere Pro lets you import and edit QuickTime formats natively including Apple ProRes and MOV files that Canon 5D and 7D cameras capture. You can clip metadata without any transcoding, rewrapping, or logging and transferring required . |
| CinemaDNG | Premiere Pro lets you import and edit uncompressed CinemaDNG media from the following cameras:
When working with CinemaDNG media, you can access the Source Settings and edit the metadata parameters. CinemaDNG can be debayered on a supported GPU for extreme playback performance. |
| Panasonic AVC, P2 cameras | You can native import and edit media from the following cameras:
|
| Phantom Cine media | You can natively import and edit Phantom Cine media shot on Vision Research Phantom cameras. |
| RED support | Premiere Pro CC supports working natively with RED Digital Cinema (R3D) footage from the following cameras:
Note: RED format clips use the GPU (OpenCL and CUDA) for debayering for an improved and faster playback performance. |
| Sony cameras | You can import and and edit media from the following cameras directly, without rewrapping or transcoding:
You can browse the imported clips using the Media Browser and organize them using camera metadata. |
Premiere Pro Supported audio file formats
| Format | Details |
| AAC | |
| AC3 | Including 5.1 surround |
| AIFF, AIF | |
| ASND | Adobe Sound Document |
| AVI | Video for Windows |
| BWF | Broadcast WAVE format |
| M4A | MPEG-4 Audio |
| mp3 | mp3 Audio |
| MPEG, MPG | MPEG Movie |
| MOV | QuickTime; requires QuickTime player |
| MXF | Media eXchange Format MXF is a container format that supports:
|
| WMA | Windows Media Audio, Windows only |
| WAV | Windows Waveform |
Premiere Pro Supported still-image and still-image sequence file formats
Note: Premiere Pro supports 8bpc (4 bytes per pixel) and 16bpc (8 bytes per pixel) still-image files.
| Format | Details |
| AI, EPS | |
| BMP, DIB, RLE | |
| DPX | |
| EPS | |
| GIF | |
| ICO | Icon File (Windows only) |
| JPEG | JPE, JPG, JFIF |
| PICT | |
| PNG | |
| PSD | |
| PSQ | Adobe Premiere 6 Storyboard |
| PTL, PRTL | Adobe Premiere title |
| TGA, ICB, VDA, VST | |
| TIF |
Premiere Pro Supported closed captioning and subtitle file formats
| Format | Details |
| DFXP | Distribution Format Exchange Profile |
| MCC | MacCaption VANC |
| SCC | Scenarist Closed Caption File |
| STL | EBU N19 Subtitle File |
| XML | W3C/SMPTE/EBU Timed Text File |
Premiere Pro Supported video project file formats
| Format | Details |
| AAF | Advanced Authoring Format |
| AEP, AEPX | After Effects project |
| CSV, PBL, TXT, TAB | batch lists |
| EDL | CMX3600 EDLs |
| PLB | Adobe Premiere 6.x bin (Windows only) |
| PREL | Adobe Premiere Elements project (Windows only) |
| PRPROJ | Premiere Pro project |
| PSQ | Adobe Premiere 6.x storyboard (Windows only) |
| XML | FCP XML |
About file formats
Some filename extensions - such as MOV, AVI, MXF, and F4V - denote container file formats rather than denoting a specific audio, video, or image data format. Container files can contain data encoded using various compression and encoding schemes. Premiere Pro can import these container files, but the ability to import the data that they contain is dependent on the codecs (specifically, decoders) installed.
What Is Adobe Premiere Rush Used For
By installing additional codecs, you can extend the ability of Premiere Pro to import additional file types. Many codecs installed into the operating system (Windows or Mac OS) work as a component inside the QuickTime or Video for Windows formats. Contact the manufacturer of your hardware or software for more information about codecs that work with the files that your specific devices or applications create.
Note: Video and still-image files that you want to import must not be more than the maximum dimensions allowed. For more information on maximum dimensions in Premiere Pro, see the Premiere Pro Work Area blog.
Why can't Premiere Pro import my file?
If you're trying to import a file into Premiere Pro, and Premiere Pro is telling you that it can't import that file, this could be for a few different reasons. And there are three most common reasons that you might not be able to import a file into Premiere Pro.
1. You might be running the trial version of Premiere Pro CS6 or earlier. Note that Premiere Pro CC doesn't have these limitations on the the trial version.
Adobe Premiere Pro Cc Manual
2. You might be trying to import a file of a format that Premiere Pro doesn't import, so check the file for format supported for import, to see if your file is listed.
3, If you're trying to import a file, in a container that Premium Pro does support, it may be that codec used in that container file, is not one that Premium Pro can import.
Possible Solutions:
What Is Adobe Premiere Rush Used For
Install Necessary Codecs 10 11 el capitan requirements.
Adobe Premiere User Manual Pdf
In many cases you can install a codec to give Premiere Pro the ability to import, the container file, with that codec. There are various free utilities that can tell you what kind of a codec is used inside of a file, one of them is called GSpot, and another is called Media Info. So if you can't import a file into Premier Pro check these things first.
Convert Files
If you are certain that your operating system has all the necessary codecs installed, but you still cannot open or import the file, try converting the video to another file format and then opening the clip in Premiere Pro. According to my experience, the editing-friendly file format for the Premiere Pro application is MPEG-2. However, the program supports nearly every video file format. EaseFab Video Converter Ultimate (available for Windows and Mac users) offers an easy way to convert any file you may have into an optimized MPEG-2 codec that Premiere can use quickly and efficiently, and is a great tool to have alongside premiere if you commonly work with multiple file types.
